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Thoughts on the creative process, tutorials (various media), project ideas, sketches and photographs by Northwest artist, Christine Musser (Merrikin Designs)
Monday, March 11, 2013
Acacia Tree Theater Prop: Armature Complete
Thursday, March 7, 2013
Acacia Tree Prop: Armature (Chicken Wire/Duct Tape)
Constructed out of chicken wire with 18 gauge steel wire and cable ties for joining section wire branches, the armature is about 40% complete. Duct tape (and later plastic bags/kraft paper) applied over chicken wire to further increase support and smooth out the surface so that the pattern of the wire does not show through the papier mache.
Since there will be three stepstools at the base of the tree, the bottom four feet of armature (seen here as exposed wire. Duct tape starts at the 4 ft 1 inch mark). There is a height limitation with the ceiling in the garage where I am constructing the prop so the next stage will be removing the bottom 4 foot section in order for the second trunk segment to rest on the floor. This will enable me to build the upper branches so they reach the correct height when installed at the school.
Since there will be three stepstools at the base of the tree, the bottom four feet of armature (seen here as exposed wire. Duct tape starts at the 4 ft 1 inch mark). There is a height limitation with the ceiling in the garage where I am constructing the prop so the next stage will be removing the bottom 4 foot section in order for the second trunk segment to rest on the floor. This will enable me to build the upper branches so they reach the correct height when installed at the school.
Wednesday, March 6, 2013
Theater Prop - 20ft wide acacia tree in papier mache - Grid/Sketch
With the exception of tomorrow night's post which will be an art lesson for elementary students re: pointillism, the next few days will feature images and notes regarding the construction of an Acacia tree prop needed for a local elementary school production.
Here is a rough list of the steps I like to take in creating props:
1. Meet with the director and discuss the needs for the production. This includes overall look, size, color, budget, and deadline.
2. Make a few sketches to run by the director to verify the prop you intend to create has the look and feel that they also had in mind.
3. Take measurements. Take measurements again. The old adage "Measure twice, cut once" applies here.
4. I like to take photographs of the setting and then create a grid in Photoshop to fully visualize the space (top photo). I then attach a sheet of tracing paper over the grid photo (tracing paper as it is thin enough to see the grid underneath) and sketch the prop to scale (bottom photo). This tree will be one of the larger props (20 ft w x 10-12 ft h x 4-5 ft deep) I have done (www.merrikindesigns.com/costumesprops.aspx to see the pirate ship which is the largest at 30 feet in length)
Tomorrow's post: Creating the skeletal framework.
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| Sketch of Acacia tree over grid. |
Here is a rough list of the steps I like to take in creating props:
1. Meet with the director and discuss the needs for the production. This includes overall look, size, color, budget, and deadline.
2. Make a few sketches to run by the director to verify the prop you intend to create has the look and feel that they also had in mind.
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| Grid in Photoshop of area where prop will be installed |
4. I like to take photographs of the setting and then create a grid in Photoshop to fully visualize the space (top photo). I then attach a sheet of tracing paper over the grid photo (tracing paper as it is thin enough to see the grid underneath) and sketch the prop to scale (bottom photo). This tree will be one of the larger props (20 ft w x 10-12 ft h x 4-5 ft deep) I have done (www.merrikindesigns.com/costumesprops.aspx to see the pirate ship which is the largest at 30 feet in length)
Tomorrow's post: Creating the skeletal framework.

Wednesday, February 27, 2013
Collaborative Art Projects with Kids
My son, Ernie, gave me a sketch this morning and suggested it would make a great earring design - and then asked if he could make money from the sale if I used the design based on his drawing.Actually it's not a bad idea...might be a good way to encourage creativity, learn to work with others, and give a means of earning extra money through work efforts. And to encourage saving, I have offered the following deal to my son: Receive 25% of the gross sale if the money is wanted now or put the money in savings for college and earn 50%.
Today's page from my sketchbook features Ernie's original drawing (upper left), a modified drawing with notes on possible design changes and then a rough polymer clay version. Not sure if I will keep as polymer clay or try a version in fused glass...but will post a photo of the final earrings in a future post.
Saturday, February 23, 2013
Artist Takahiro Iwasaki: Art from Ordinary Objects - You'll Never Look at Duct Tape the Same Way Again
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| Iwasaki.www.thisiscolossal.com |
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| Iwasaki.www.thisiscolossal.com |
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| Iwasaki. www.thisiscolossal.com |
For more images of work by Iwasaki, see Colossal, a blog started/edited by Christopher Jobson (Chicago, IL) that focuses on non digital art (in many forms) with roughly 20-25 artists featured each week. A worthwhile read.
Friday, February 22, 2013
Artist of Note: Emily Haworth of Etsy shop, By Beep
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| E. Haworth from Etsy.com |
An artist after my own heart. I love her ingenuity and curiosity to see where her art takes her. Emily Haworth, a Chicago based freelance illustrator and jewelry maker, creates intricate and playful wearable paper sculptures.
Take a look at this interesting artist (love her paintings too!). She can be found at www.emilyhaworth.com as well as on Etsy under the shop name, ByBeep.
See here, for Etsy blog article about Emily Haworth's work and more images of her whimsical works.
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| Journal kept by E. Haworth from Etsy.com |
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| The Wicked Sea by E. Haworth from Etsy.com |
Thursday, February 21, 2013
Rag Doll Polymer Clay Switchplate Cover - Finished
| Rag Doll, Copyright 2013 by C. Musser, Polymer Clay on Nylon Switchplate |
Loved working with the silicone molds with polymer clay - just mist the mold with water and the poly clay comes out with ease. Also, it is possible to bake polymer clay in the molds themselves since the silicone will withstand the heat of the oven.
Working with silicone molds makes me want to try creating my own molds for frequently used polymer clay components - I suspect there shall be a post about this in the near future.
Original sketch for Rag Doll can be found in this post (February 13, 2013)
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